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Thursday, May 23, 2013

Does Your Book Marketing Have A Leak?


Once you own a house, you never stop shelling out money.  Painting, landscaping, electrical work, roofs, fencing, windows… it all needs to be maintained, fixed, replaced, or enhanced, either for style and comfort or basic functionality.  The American Dream includes owning your home, but every time I pay a bill related to my house, I question it. 

So when the opportunity came to hire a plumber for a leaky sink I went into do-it-yourself mode.

First, I ignored the problem, letting the sink drip while a plastic container caught the droplets.

Next, I avoid it, by shutting the water off and just segregating the sink.  If it’s not dripping, there’s no problem, right? Denial only got me so far.

Then my wife threatened to call a plumber.  I saw dollar signs flash and got to work.  I actually got on the floor to really investigate where the water was coming from.  It turned out to be something relatively simple, but when you avoid fixing things you imagine the worst.  I needed to replace a $4.95 faucet connector.  I went to Home Depot, and got two of them, deciding to avert a future problem by replacing the one that wasn’t broken as well.

My wife was pleasantly surprised, but not without a list of other things needing attention.  For now, I survive another day without having to get hosed by my house.

The scenario taught me a few lessons that can apply to how you approach book marketing. .

1.  Don’t let any task seem too daunting or overwhelming. Confront it head on.

2.  Problems don’t fix themselves – and in fact grow worse with time.  But when you zero in on them, the solution may not be as costly or as painful as you feared.

3.  Sometimes you need professional help and even though it seems like a cost to you, you’re investing in something big and important.  It’s worth it.

4.   Balance your needs and wants.  When I heard the sink was failing, I had to step into action.  But other to-do items on the list were not as pressing nor important.  Set your priorities and attack them one at a time.

5.   You need a push to get you in the right direction.  For me, it was a nagging wife (I love you, if you’re reading this, honey), but for authors, sometimes the nag or pull has to come from within yourself to take action.

Book marketing may not be like a leaky sink, but sometimes they both feel like they lead to money going down the drain.  But have hope and perseverance – sometimes you can fix the problem yourself and other times, thankfully, a professional is available to help.


Interview With Coke Author Mark Pendergrast

1.     What type of books do you write?  Good question, since it is hard to pin me down.  One reviewer called me "the ultimate freelance journalist with an eclectic mind."  I don't like being typecast, although I seem to be the caffeine man with my two most popular books, histories of Coca-Cola (For God, Country & Coca-Cola) and coffee (Uncommon Grounds).  I've also written a really fascinating history of mirrors (Mirror Mirror) the covers everything from the myth of Narcissus through huge telescope mirrors and their ability to serve as time machines into the past of the universe. 

And I spent five years writing Inside the Outbreaks, a history of the Epidemic Intelligence Service -- yes, there really is such an orgination, a sort of medical CIA that began in 1951 as a part of the CDC looking for bioterrorism but EIS officers continue to serve as the world's primary disease detectives.  Almost made into a TV series -- but they were into supernatural stuff that year.  And Victims of Memory, probably my most important book, about the repressed memory epidemic of the late 1980s and early 1990s in which misguided therapists guided people to "remember" childhood sexual abuse that never occurred in reality.

And Japan's Tipping Point, a short but important 2011 book I wrote after landing in Japan to research renewable energy only two months after the earthquake or tsunami/Fukushimameltdown. I argue that Japan is the proverbial canary in the coal mine for the rest of the world in terms of dealing with peak oil and climate change.  Oh, and I almost forgot my children's books.  Jack and the Bean Soup retells the story of Jack and the beanstalk as an elaborate but very funny fart joke book.  You get the idea.  And Silly Sadie, currently in press, is another fractured fairy tale in which a goofy princess turns into a frog and is nearly turned into frogs' legs for the royal dinner.

2. What is your newest book about?  For God, Country & Coca-Cola is the unbelievable saga of how Coca-Cola was invented in 1886 as a nerve tonic and soda fountain drink to cure a mythical disease (neurasthenia, a status disease for high-powered businessmen and sensitive women) as well as a hangover and headache cure.  It contained a bit of cocaine, more caffeine, and even more sugar, plus essential oils in the secret formula -- which is in my book, by the way, in two versions.  I found a facsimile of the original formula seen for the first time in this third edition.  I could go on and on about Coca-Cola.

It was controversial in its early years, forced to take out the cocaine in 1903, but still called "dope" throughout the Depression.  Yet by the time of World War II, it had become a symbol of the American way of life, mostly through relentless advertising of "the pause that refreshes," also positioned as Santa's favorite drink.  It was deemed an "essential morale booster" for the American soldiers, and Coca-Cola men were sent oversees in army uniforms at government expense to start 64 bottling plants behind the lines, thus setting Coke up for worldwide conquest in the post-war world. 

There's also a chapter about Coca-Cola inside Nazi Germany (Fanta was originally invented as a Nazi beverage), a chapter on Communists spreading rumors about the evils of Coke, a chapter on the 1985 debacle of New Coke, etc.  This new edition brings the saga up to date, with the company foundering, suffering from a racial discrimination lawsuit, SEC/FBI probes, health scares, allegations of torture and murder of union employees in Colombian Coca-Cola bottling plants and supposedly depleting the water table in India.  Morale was in the tank when Neville Isdell took over as CEO in 2004, but he turned the company around by 2008, when he handed the company off to current CEO Muhtar Kent, who has ramped it up a notch, trying to double sales by the year 2020.  All this while sugary soft drinks like Coca-Cola are under attack as prime culprits in the obesity epidemic.  The company has diversified, offering 3,500 drinks worldwide, about a quarter of them low or no-calorie.

3. What inspired you to write it?  I grew up in Atlanta, where Coca-Cola was invented and its world headquarters remain.  My mother wouldn't let me drink it. She thought it was bad for me, so I snuck it with delightful sinfulness at my friends' houses.  I like to say my book is my revenge on my mother.  There were other family connections.  My grandfather was a pharmacist who served Coke and who testified at an early, crucial Coca-Cola trial, and my grandmother nearly married Robert Woodruff, the long-time head of Coca-Cola.  Mostly, though, I wrote it because the story is so powerful.  Coca-Cola, a non-essential product, is the world's most widely distributed single consumer product, available legally in all but two countries in the world -- North Korea and Cuba -- and it has enormous power and cultural impact.

4.  What is the writing process like for you?  Well, how should I put this?  I love having written something entertaining and thoughtful, but I don't much like the process of writing, sitting in a chair in front of my computer.  I get absorbed in it, though, and often forget to get up and walk around enough.  I could go on in detail, but basically, I like to write in subsections, little stories that have a dramatic beginning and ending and that can be read at bedtime.  Then I read it the next day, revise it, and go on to what happened next...

5. What did you do before you became an author?  I used to play the alphabet occupation game to see how many letters I could cover.  Let's see -- accountant, babysitter, carpenter, ditch-digger... but mostly I was a teacher and librarian.  I majored in English literature and taught high school English for three years, then elementary school for two years.  I have always thought of myself (and still do) primarily as a teacher, but I couldn't take our public school system.  So I went back and get a masters in library science and was an academic librarian for over a decade.  All the while, I wrote freelance articles for fun, then got a book contract and never looked back...

6.  How does it feel to be a published author? I feel as if I have finally found what I was meant to do.  I also like to sing, and one of my favorites is Jimmy Buffett's song, "A Sailor Looks at Forty," which has a line, "my occupational hazard is, my occupation's just not around," which I always identified with.  

7.  Any advice for struggling writers?  I'm still a struggling writer, so how dare I offer advice?  If you write non-fiction, don't make anything up, but make it read like a novel.  Write about what you care about, but you really also need to keep some sort of eye on what will sell.  If you don't love what you're writing, don't bother.  It's too hard and uncertain.

8. Where do you see book publishing heading I'm not happy right now with the book publishing industry, which is struggling to stay afloat in the wake of the recession, readers turning more to Tweeting and Facebooking, and the rise of ebooks, which so far don't offer much return for anyone.  That means that publishers tend to chase the latest success and turn down a lot of good book proposals because they are ruled by accountants and marketers.  "We love your proposal but don't see a big enough market for it" has become an unfortunate mantra.  That's not to say that great books aren't being published.  Also, the good news is that it's cheap and easy to self-publish.  The bad news is that anyone, including lousy writers, can self-publish, so it's hard to get attention.  And print reviews are dying -- though blogs and online reviews are growing.  So, it's a changing world of publishing out there.

For more information, please see: www.markpendergrast.com


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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer, the nation’s largest book promoter. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This blog is copyrighted material by BookMarketingBuzzBlog ©2013 

Wednesday, May 22, 2013

Historical Fiction Author Speaks Out

Interview With Author June McCash

1. What type of books do you write?  I write both historical fiction and nonfiction. Of my 10 books, two are historical fiction, but that is what I will write in the future. I find it liberating.

2. What is your newest book about? Actually I published 3 books in 2012. I don't write that rapidly, but they all culminated in the same year. One, The Jekyll Island Club Hotel,  was co-authored with my son, Brenden Martin, and was commissioned by the Jekyll Island Club Hotel, which is the only place it can be purchased.Plum Orchard, also published in 2012, is a historical novel based on the true story of the relationship between Elisabeth Bernardey (Zabette) and Robert Stafford of Cumberland Island, GA. She was born a slave, the daughter of a French planter and his slave mistress. Robert, who was decades older than Zabette, was the wealthiest planter on Cumberland. They had six children together, one of whom married a Russian count in Notre Dame Cathedral in Paris. Zabette spent the Civil War years in Groton, Connecticut, with their children, letting society think she was their nursemaid. When the war ended she chose to return to Cumberland, though none of the children did. Her story is compelling. The last one was A Titanic Love Story: Ida and Isidor Straus. I worked on that one for about ten years before I published it. It's a nonfiction work about the lives of a remarkable couple, the only first-class couple to die together by choice on the Titanic.

3. What inspired you to write it?  In both cases, I felt they were stories that needed to be told and made available to general readers. Concerning A Titanic Love Story, I was mesmerized by the beautiful love relationship between Ida and Isidor Straus. Isidor's father came to America in the early 1850s as a peddler in Georgia.  Within one generation Isidor and his brother Nathan owned Macy's department store. I also wanted to set the record straight, since James Cameron's film Titanic virtually ignored the couple, leaving the scene he shot on the cutting room floor (though I guess today they don't really have a cutting room floor, but their scene was deleted, and there was no first-class couple who died in bed as the film depicts). Their story is quite remarkable.
In terms of Plum Orchard, I was captivated by the courage of Zabette and interested in her choice to return to Cumberland after the war. There were so many questions about her and her relationship with Robert that historians can't answer. Fortunately, the historical novelist can explore the crevices. I loved writing this book, and I am delighted that it is selling so well on the Georgia coast. Both of these books are currently nominated for awards.

4. What is the writing process like for you?  It's an absolute joy. I have recently taken a few months off from my writing, trying to take a vacation of sorts, but  the days are so long. When I write they zoom by. I once heard a writer comment that she wouldn't be a writer if she could do anything else. What she meant was that she was unable NOT to be a writer. She was compelled to write. And I feel exactly the same way. Every day that passes when I do not write is, I feel, a day lost. A day wasted. So even when I'm not writing, I still write. Letters. Brief essays. Journal entries. Something. I cannot NOT write. It is my life.

5. What did you do before you became an author?  I was a college professor. I taught French and humanities. I was the founding director of the MTSU Honors Program (now Honors College) and chair of the Department of Foreign Languages and Literatures.  MTSU is Middle Tennessee State University, a university I am proud to be associated with. I loved my career there, working with students, teaching and researching. And I am still in touch with many of my former students. While I was at MTSU I won an Outstanding Research Award as well as the University's most prestigious award, the Career Achievement Award. I was also named an Outstanding Alumna for distinguished career by Agnes Scott College, my alma mater. I also have an M.A. and Ph.D. in comparative literature from Emory University.

6. How does it feel to be a published author? It feels great. But more important, it's great to have readers. I love it when readers contact me to tell me their reactions to my books. I wrote books as an academic, but fewer people read those books, only other scholars writing about and researching similar topics. Now I get letters from people all over the country who have read my books. I love interacting with them.

7. Any advice for struggling writers? Yes. Work hard to hone your craft. Always have a book edited before you submit it for publication, especially if you're unsure of your grammar, etc. Nothing is a bigger turn-off to agents and publishers than carelessly written material. Go to conferences. Join a writers group. Get your work critiqued by other writers before you submit it anywhere, and don't be offended by constructive criticism. We all want our work to be the best it can be. But remember, in the end, it's your work. Getting edited is even more important if one decides to self-publish.

8. Where do you see book publishing heading? Wow, that's a great question. I see the writer being liberated from the agent-big publisher stranglehold.  So many talented authors today are choosing to publish their own work, and in today's world, they can do so. The stigma of self-publishing is rapidly disappearing, and, if we look at the history of literature, the greatest authors in our canon were originally self-published. It was only in the 20th century that the agent/publisher obstacle to publication took over. I say that, having published with 5 different publishers and having never self-published. But I would not be embarrassed to do so. I think a good writer today, given the opportunity for promotion with social media, can make his or her own future, but it's hard work.  It's a very exciting time to be a writer. Of course, self-publishing also opens the door to some really bad writers, but it also liberates many good ones.. Without the filter of agents and publishers, one has to work hard to let readers know you're the real thing. But it can be done.

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer, the nation’s largest book promoter. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This blog is copyrighted material by BookMarketingBuzzBlog ©2013 

Can The Book of Mormon Save Publishing?


After attending a recent evening on Broadway with The Book of Mormon, I was left with these thoughts:

      This won nine  Tony’s? It seems more like an Off-Broadway show.
<    Interesting premise, okay execution.

But my everlasting thought has been: Where is The Book of Mormon approach to publishing?

The play satirizes religion, especially Christianity and Mormons, though it ignores the part everyone is most fascinated by – the multiple wives thing.  It downright blasphemies religion and yet it seems to conclude with a positive message: No matter what you believe, believe in something.  Even if the stories we are told seem like fiction, once you choose to believe in something beyond yourself, you feel stronger, happier, and united.

The play shows the power of missionaries.  Why can’t publishing have missionaries, people who spread the word about, well, more words? The industry needs organized advocates to proselytize and teach people the life-changing value of books. It doesn’t have to be The Book of Mormon, but some book or books are bound to change, inspire and transform readers.

It’s interesting how all religions to sell their Scripture and use it to lure new followers. Publishing fails to rally around the concept of not one book, but all books.  The collective book form is our gospel.  We need to each be a missionary and heal the lives of others through the words found in all books.

Maybe Fifty Shades of Grey is the industry’s Book of Mormon.  It’s changing people’s sex lives, perceptions, and desires. Perhaps every hot-selling book is the one the entire industry needs to rally around, in order to sell readers on all books.

Or maybe The Book of Mormon should be sold to more people.  Apparently even a play that mocks the real book and depicts religion as a cult is not enough to dissuade people from joining the Mormon Church.  I saw a story in the NY Post about a woman who thought the play was so funny that it made her curious enough to learn more about the faith.  She’s now a member of the church.

Perhaps the industry needs a mocking satire of itself on Broadway in order to get more people to buy books. It can be called Death by Amazon.  I’m sure someone’s working on it now.

Do you believe? Tell a friend – or convert. 


Interview With Crime Novelist Neil Plakcy



1. What type of books do you write?  Traditional crime fiction (four golden retriever mysteries, starting with IN DOG WE TRUST, about a guy and a dog in a small town); police procedurals (seven Mahu Investigations, about an openly gay homicide detective in Honolulu); and M/M romance (several stand-alones, and five books in the Have Body, Will Guard series about a pair of bodyguards working around the Mediterranean.)

2. What is your newest book about? In NATURAL PREDATORS, the murder of an island patrician brings to light a scandal with roots in the time just before Hawaii achieved statehood.
What inspired you to write it?  I read a couple of graphic novels set in the 1950s in Hawaii, and that got me thinking about what it must have been like in the tumultuous days just before statehood. One of the hallmarks of my series has been the protagonist’s interaction with his family, and this gave me a chance to explore how his family history is tied into the state’s.

3. What is the writing process like for you? I write almost every day, for at least an hour in the morning, at my local Starbucks. I’ve gotten my brain to recognize that when I open the laptop and settle down with my grande toffee nut mocha (with whip and a mocha drizzle) that it’s time to write. On a good day I can get down five pages—but I also spend lots of time brainstorming, doing online research, and making minor revisions. I usually begin with an idea of a crime (for NATURAL PREDATORS a murder, for DOG BLESS YOU a theft). Then I think ahead to the first plot point, about a third of the way through. What will happen to shift the book in a different direction? I hope that by the time I’ve reached that first plot point, I’ll know what the second one is. And then to the end! I usually do at least two or three drafts before I show the book to anyone.

4. What did you do before you became an author? Well, since I started writing when I was sixteen, I guess the answer is “high school student.” But I’ve also had many other careers since then – a college administrator, a construction manager for a shopping center developer, a computer games producer, a web developer, and now, a college English professor.

5. How does it feel to be a published author? I am incredibly grateful for the career I have been able to have. Not just to be able to sit down and write – and have an audience. But for all the emails and notes from readers, and for the chance to meet other writers whose work I love.

6. Any advice for struggling writers? Two things: read, and write. I believe that by reading you develop an innate understanding of language, sentence structure and rhythm. Then take a book you have enjoyed and analyze it – what makes it tick? Is it the character, the voice, the plot, the descriptions? Writing is like a muscle – it gets better the more you exercise it. So write, as much as you can. Put it away, then come back to it sometime later – maybe a week, a month, a year. Revise, fixing the errors and improving the language. Keep doing that until the book is the best you can make it.

7. Where do you see book publishing heading? E-publishing has opened the floodgates for anyone who has a story to tell. If you can write, and you can deliver a good reading experience, you can find readers, without worrying about the global economics of publishing conglomerates, who are only willing to bet on the horses they believe will win the race. There’s a lot of room for niche authors, so you can write the book you want, make it great, and then put it out there for readers. I think booksellers, reviewers and bloggers will be the new gatekeepers – they will help the ordinary reader discover great books.
 

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer, the nation’s largest book promoter. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This blog is copyrighted material by BookMarketingBuzzBlog ©2013

Tuesday, May 21, 2013

Interview With Foreword Reviews Editor Matt Sutherland




1.      Matt, as the managing editor of Foreword Reviews, how do you feel your magazine can work with authors and publishers to advance their books? We're a book review journal that adamantly refuses to review books from the big corporate publishers. The Random Houses and Simon & Schusters of the world don't need any more help getting coverage for their books. More importantly, high-quality small, independent publishers don't receive near enough review attention.

ForeWord Reviews can only review approximately 140 books per issue (ForeWord is a quarterly review journal distributed to 10,000 librarians and booksellers, with newstand sales in 325 Barnes & Noble stores). We receive 250 or so books a week, so picking a mere 140 out of 3000 books is tough. We're also a prepublication review journal so we want to see projects at least two or three months ahead of their pub dates. Obviously, the books we choose to review must be absolutely perfect - from cover design and backcover copy to a professional looking copyright page, TOC, and backmatter, in addition to excellent writing and organization of materials - to earn a review. 

Clarion is a pay-for-review service we introduced nearly ten years ago for publishers and authors struggling to get their books reviewed. Clarion uses the same reviewers (ForeWord has 125 reviewers around the country) as the magazine. The reviews average 475 words. These reviews are not simply a quick summary of the book. We offer objective, well-written, critical reviews for the trade and consumers.

2.      What would you say is the editorial voice of the magazine? We lean literary and strive to be hip and adventuresome. We love discovering new authors and publishers. We firmly believe the nation's university presses and small, independent publishers are publishing most of the interesting books reaching the marketplace today.

3.      How can your publication capitalize on the growing self-publishing sector? We're very supportive but, also, very demanding of self publishers. In order to be taken seriously, it's crucial that every publisher and author relies on professional designers and editors. The competition is dishearteningly stiff. Self publishers must strive to produce the best book they possibly can.   

4.      What type of books does your publication prefer to receive for review? How do you evaluate them? We review a fairly even split of fiction and nonfiction. We always include some poetry, debut novels, YA fiction, mystery, thriller, sci-fi, and short stories, but our heart is in high-quality literary fiction. We love books on travel, history, memoir, cooking, nature, and spirituality / religion. As the managing editor, I spend a minute or two with every book deciding whether it might qualify for a review in the magazine. If it makes the first cut, I'll spend another five to ten minutes reading and evaluating before assigning it to a reviewer.

5.      What do you see as the future of book publishing for the next few years? Yes, we'll see more digital books. Yes, we'll see more high profile authors forming their own publishing houses. Yes, we'll see more book communities (Goodreads, for example) playing a very useful role in helping readers find the books they want. But, I think a certain reader maturity will settle in soon and much of the marketing fanfare and bluster will dwindle away. Great, well-written stories will win out every time.

6.      Any advice for struggling writers? Read, read, read some more. If you're striving to write fantasy, read the best fantasy writers and take notes and think hard about why their books are good. And then, rewrite, rewrite, rewrite. When you think you're ready, find some readers you trust and let them read your stuff. Don't let them blow too much complimentary smoke in your direction. It won't do you or your work any good. 


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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer, the nation’s largest book promoter. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This blog is copyrighted material by BookMarketingBuzzBlog ©2013 

Are You The Great Gatsby?



The Great Gatsby hit theatres a week ago and its appearance stirs a number of thoughts.  By the way, I thought the movie was good but short of the greatness the trailer promised.

When I reflect back on high school and even junior high school (now called “middle school”), I recall reading classics that I enjoyed thoroughly- Catch 22, The Invisible Man, Lord of the Flies, 1984, Hamlet, The Assistant, Crime & Punishment, and others.  But there were also books I really didn’t understand or fully appreciate, quite simply because what made them so good is lost on teenagers.

Books with deep thought, reflection, and vision come about because the writer has experienced something or dreamed obsessively about something – or both.  But what does a 15-year-old know of the world and its dark secrets, its struggles and challenges, its excruciating disappointments and its broken dreams? Good literature, though it should be shared with our youth, is, to some degree, lost on them.

The Great Gatsby was one such book for me.  I read it in high school but didn’t really tap into what it meant until I saw it unfold on a movie screen three decades later.

Maybe I wasn’t alone.  It turns out when F. Scott Fitzgerald’s best–selling classic was released in 1925 it was to mixed reviews and disappointing sales.  In fact, when the author died in 1940, he thought the book was a failure.  It really was a generation after the first printing that the book caught on and later became a staple on high school reading lists. The book has sold 25 million copies worldwide and by 1960 it was selling 50,000 copies annually.  Now, it averages 500,000 copies a year and Scribner’s says it is their top-selling title – 88 years after its original publication.

What’s also interesting about The Great Gatsby is that it only caught fire when others championed it.  In 1941 the book was republished by a respected writer of the day and sparked renewed interest in the work.  A year later the newly formed Council on Books in Wartime was distributed155,000 copies of the book for free to soldiers overseas.  This spurred the media to write about Fitzgerald in a different light.  Then, in 1945, Armed Services Editions gave away 150,000 copies to its military personnel.

Is there another Great Gatsby already out there, waiting to be discovered and championed? I have no doubt they exist and will always exist. 

Are you The Great Gatsby?


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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer, the nation’s largest book promoter. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This blog is copyrighted material by BookMarketingBuzzBlog ©2013 

Monday, May 20, 2013

Interview With Author Elisabeth Donati

Financial Educator Speaks Out

What type of books do you write? So far, I have written three financial education type books. One for parents called The Ultimate Allowance; one for ages 9-12 called Rocks to Riches based on the principles in Think and Grow Rich by Napoleon Hill; and one on a money management system called The Money Jars called The Money Jars: Your Magical Money Management System. I learned about the system at a seminar called The Millionaire Mind held by Peak Potentials but they didn't teach enough about it so I wrote a book about it.

What is your newest book about? I am working The Beaurigards...it's a whimsical story about a family of frogs and it has nothing at all to do with money:-) 

What inspired you to write it? It started with a man I fell in love with years ago. He was very smart and creative we used to have fun with words by tweaking them and then we started talking about frogs because I love frogs. I asked him to name a family of them for me and the story was off and running. I've been working on it ever since. 

What is the writing process like for you? It's fun, sweet, motivating, playful, enjoyable, savory. When I get into writing, all I want to do it write. I miss it when I don't. 

What did you do before you became an author? I've been an author since before I can remember. My mother read Dr. Suess books to us when we were kids so I grew up writing poems. Before I wrote my first official book, I was teaching financial education for years and still do. Teaching allows me to be creative on my feet, so to speak. Most of what I create I do so talking to groups...but not all.  

How does it feel to be a published author? It's nice. Once I got the first one done and had learned 'the ropes', I realized I could write another one much easier. It's like anything in life, the first one, first time, etc. is always the biggest challenge but I love challenges and love learning new things:-). 

Any advice for struggling writers? I find that when I help people write things that the best advice it to tell them to stop thinking about writing and just write. You're not a writer unless you write...it's as simple as that. 

Where do you see book publishing heading? As much as I'm not fond of the digital age, it appears to be heading in that direction. I feel sorry for the kids who just don't understand, and will never understand, the joys of getting absorbed in a story the old fashioned way.  Being 55 though, NOTHING will ever replace holding a printed book in my hand, folding down the corners, researching through a book's many pages, wondering aimlessly in Powell's Books in Portland, Oregon! 

For more information on the Santa Barbara financial literacy expert, check out: www.CampMillionaire.com


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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer, the nation’s largest book promoter. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This blog is copyrighted material by BookMarketingBuzzBlog ©2013